{"id":26998,"title":"Canary in a Coal Mine","description":"Reflecting on a 'Canary in a Coal Mine', it's origin, meaning symbolism and history.","content":"<p><img src=\"https:\/\/images.teemill.com\/wbnigizdpj34pds4d86asdamsq3vbe652xtll028jbwdc8gd.jpeg.jpeg?w=1140&amp;v=2\" alt=\"otwyorbrquefo2jwssugy2qaw6rsxy9fgwxsta1xmdm1qpiq.jpg.jpg?w=1140&amp;v=2\" \/><em>The Canary, Clear Yellow (Fife) drawing and gentle reference.<\/em><\/p><p>I first drew this canary a while ago, though my exploration of the bird was lost in the social media ether. Here I explore this bird and it\u2019s symbolism from a slightly different perspective, from poetry to activism. Named after the Canary Islands, the islands\u2019 name is derived from the Latin name Canariae Insulae - \u2018Islands of dogs\u2019, this apparently refers to the large dogs once kept by the inhabitants of the islands.\u00a0<\/p><p>Canaries were first exported from the islands in the 1500\u2019s, over the next few hundred years they were bred into many varieties, their natural green and black plumage became the now famous \u2018canary yellow\u2019, the one depicted here is the Clear Yellow (Fife). It was during the Victorian era that the keeping of birds in cages became a trend, renowned for their cheerful song, it was thought that they sang for their keepers out of a sense of joy - clearly this was not the case. They continue to be bred for human amusement and have sometimes led to disturbing variations that I can barely look at. The Gibber Italicus Frill, is a cruelty of a bird and is one of the most disturbing, with an absurdly long neck and extended legs it has become an embodiment of our tendency to abuse our natural world, (I\u2019m not going to subject you, dear reader to this, Google it, if you dare). <\/p><p><img src=\"https:\/\/images.teemill.com\/nsnekvuvaoc2ekl8b7c3sltb9tlhpuylaiulhz7eqmyrq7eq.jpg.jpg?w=1140&amp;v=2\" alt=\"nsnekvuvaoc2ekl8b7c3sltb9tlhpuylaiulhz7eqmyrq7eq.jpg.jpg?w=1140&amp;v=2\" \/><\/p><p>There are some varieties that appear charming with wide colour variations, tufts and frills, though much like the domesticated dog they barely resemble the species that they originated from. Some of you may breed birds for competition and I\u2019m sure the individuals are happy enough. <\/p><p><img src=\"https:\/\/images.teemill.com\/mtrfwwhon5rqhzbp7kkxa0iv0zq1ehxpe5tzijm4g73upqjy.jpg.jpg?w=1140&amp;v=2\" alt=\"mtrfwwhon5rqhzbp7kkxa0iv0zq1ehxpe5tzijm4g73upqjy.jpg.jpg?w=1140&amp;v=2\" \/>Many children that kept birds in avaries grow up to become ornithologists, I remember a relation having a budgie that I was amazed at, though even then I wanted to set it free. Victorians believed that breeding and rearing birds was a Christian pursuit, here\u2019s this, from Birds and Us by Tim Birkhead.\u00a0\u201cWriting about the benefits of keeping canaries in the 1830\u2019s the Reverend Francis Smith said that children: \u2018may silently learn those invaluable lessons of kindness, and love and patience, which will fit them for the trials of after-life, and, it may be imprinted on their hearts forever.\u2019\u201d<\/p><h3>Maya Angelou, \u201clonged for still\u201d<\/h3><p><img src=\"https:\/\/images.teemill.com\/t6uiul1eul33u9of4cp9qyqsoga2phbthxex1qxu9yrj66gg.jpg.jpg?w=1140&amp;v=2\" alt=\"t6uiul1eul33u9of4cp9qyqsoga2phbthxex1qxu9yrj66gg.jpg.jpg?w=1140&amp;v=2\" \/><em>Maya Angelou marching against Aparthied.<\/em><\/p><p>When I first made this work I was thinking about Maya Angelou\u2019s amazing writing and the below poem \u2018I know why the caged bird sings\u2019 in particular, I can find only one example of her reading it herself online which seems to have some  wonderful improvisation included, watch that <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=lhRlCY0_JNg&amp;t=223s\" rel=\"noreferrer noopener\"><u>here<\/u><\/a>. The below interview shows just how amazing Maya Angelou was especially when interviewed by a rather patronising man of the eighties. <\/p><div data-youtube-video=\"\"><iframe class=\"youtube\" width=\"640\" height=\"480\" allowfullscreen=\"\" src=\"https:\/\/www.youtube.com\/embed\/ye1mep8h7GA\"><\/iframe><\/div><h3>I Know Why The Caged Bird Sings<\/h3><p><\/p><p>The free bird leaps<\/p><p>on the back of the wind<\/p><p>and floats downstream<\/p><p>till the current ends<\/p><p>and dips his wings<\/p><p>in the orange sun rays<\/p><p>and dares to claim the sky. But a bird that stalks<\/p><p>down his narrow cage<\/p><p>can seldom see through<\/p><p>his bars of rage<\/p><p>his wings are clipped and<\/p><p>his feet are tied<\/p><p>so he opens his throat to sing. The caged bird sings<\/p><p>with fearful trill<\/p><p>of the things unknown<\/p><p>but longed for still<\/p><p>and his tune is heard<\/p><p>on the distant hill for the caged bird<\/p><p>sings of freedom The free bird thinks of another breeze<\/p><p>and the trade winds soft through the sighing trees<\/p><p>and the fat worms waiting on a dawn-bright lawn<\/p><p>and he names the sky his own.<\/p><p><\/p><p>But a caged bird stands on the grave of dreams<\/p><p>his shadow shouts on a nightmare scream<\/p><p>his wings are clipped and his feet are tied<\/p><p>so he opens his throat to sing<\/p><p><\/p><p>The caged bird sings<\/p><p>with a fearful trill<\/p><p>of things unknown<\/p><p>but longed for still<\/p><p>and his tune is heard<\/p><p>on the distant hill<\/p><p>for the caged bird<\/p><p>sings of freedom.<span style=\"font-family:inherit;\">\u00a0<\/span><\/p><p><strong>Maya Angelou<\/strong><\/p><p><img src=\"https:\/\/images.teemill.com\/2ezccla7echgrhduluczekio0su6hsisse7j7bnhw80gurr9.jpg.jpg?w=1140&amp;v=2\" alt=\"2ezccla7echgrhduluczekio0su6hsisse7j7bnhw80gurr9.jpg.jpg?w=1140&amp;v=2\" \/><em>A close up of the drawing and gentle reference. <\/em><\/p><h3>The Revival Cage<\/h3><p><img src=\"https:\/\/images.teemill.com\/rbhhsfbbnja4bqpr8xbceioe1jjfdsqvqntj0ebzezjlfjbl.jpg.jpg?w=1140&amp;v=2\" alt=\"rbhhsfbbnja4bqpr8xbceioe1jjfdsqvqntj0ebzezjlfjbl.jpg.jpg?w=1140&amp;v=2\" \/><em>John Haldane, encouraged the introduction of the canary into the coal mine.<\/em><\/p><p>The humble canary was yet again subjected to our whims in the late 1800\u2019s, when they were used to detect gases, such as carbon monoxide in our coal mines. The gas is deadly to humans and canaries alike in large quantities, but canaries are much more sensitive to small amounts of the gas, and so will react more quickly than humans. This method was introduced by John Haldane, a Scottish physician, physiologist and philosopher famous for intrepid self-experimentation in order to discover the impact of various gases on the human body. Haldane was asked to help determine the cause of an explosion at Tylorstown Colliery in 1896.<\/p><p><img src=\"https:\/\/images.teemill.com\/blkwljxb0zuv2qsax1xeny87rxxsjjzkgrca6roblbroll6q.jpg.jpg?w=1140&amp;v=2\" alt=\"blkwljxb0zuv2qsax1xeny87rxxsjjzkgrca6roblbroll6q.jpg.jpg?w=1140&amp;v=2\" \/><em>A Revival Cage.<\/em><\/p><p>He concluded the explosion was caused by a build-up of carbon monoxide and set out to find a way of detecting the odourless gas before it could harm humans. The result was a captive canary. My assumption was that the canary would die and be replaced, though I discovered something called a \u2018revival cage\u2019 used by miners for their often beloved pet canaries. On entering the mine a circular door would be kept open, a grill prevented the canary from escaping. <\/p><p><img src=\"https:\/\/images.teemill.com\/hxtfobo16rgslqsdqfgvuw49kfkr87520arsvfykjlkrgagg.jpg.jpg?w=1140&amp;v=2\" alt=\"hxtfobo16rgslqsdqfgvuw49kfkr87520arsvfykjlkrgagg.jpg.jpg?w=1140&amp;v=2\" \/><em>A miner with an \u2018electronic nose\u2019 and without the revival cage.<\/em><\/p><p>Once the canary showed signs of carbon monoxide poisoning the door would be closed and a valve opened, allowing oxygen from the tank on top to be released and the canary was revived. The miners would then be expected to evacuate the danger area. This method was used right up until 1986 when an electronic device was introduced, the \u2018electronic nose\u2019 was\/is a hand-held device alerting miners to the extent of the gases via a flashing light, there\u2019s an archive Nationwide piece <a target=\"_blank\" href=\"https:\/\/www.bbc.co.uk\/archive\/nationwide--pit-animals\/z62f2sg\" rel=\"noreferrer noopener\"><u>here<\/u><\/a>.\u00a0<\/p><p><img src=\"https:\/\/images.teemill.com\/mbkvepmkwalnsaqlcrbgrcpos36rjmeogehdmi5yafwumpsn.jpg.jpg?w=1140&amp;v=2\" alt=\"mbkvepmkwalnsaqlcrbgrcpos36rjmeogehdmi5yafwumpsn.jpg.jpg?w=1140&amp;v=2\" \/><em>A miner in 1987 with the last canary to be used in a coal mine: photo Phillip Dunn.<\/em><\/p><h3>Warning Signs<\/h3><p>Of course the use of the  phrase \u2018canary in a coal mine\u2019 has become a term to refer to early signs of any danger or concern in any context from financial crashes to appropriately enough climate change, an example of which is <a target=\"_blank\" href=\"https:\/\/www.japantimes.co.jp\/news\/2021\/04\/29\/world\/science-health-world\/climate-change-glaciers\/\" rel=\"noreferrer noopener\"><u>here<\/u><\/a>.\u00a0<\/p><p><img src=\"https:\/\/images.teemill.com\/darmdic20qtke3fpty3gk5x2oq6brklxobceqongeuzf6uhh.jpeg.jpeg?w=1140&amp;v=2\" alt=\"darmdic20qtke3fpty3gk5x2oq6brklxobceqongeuzf6uhh.jpeg.jpeg?w=1140&amp;v=2\" \/><em>A shattering iceberg used to illustrate impending climate change.<\/em><\/p><p>Since Birds Can Fly began my research has focused on the decline of bird life and the troubling history of ornithology. If you\u2019re reading this, you know this work has become many things, I\u2019ve exhibited the drawings and gentle references, created merch that helps celebrate the natural world and been the subject of many interviews, online, in print and even on TV.\u00a0Recently I\u2019ve been considering how I can better contribute to challenging the Climate Crisis.<\/p><p><img src=\"https:\/\/images.teemill.com\/gxnqfkdpqmxit1omayvvsy2d06kbpti26lxxemcukxrvzbpx.jpg.jpg?w=1140&amp;v=2\" alt=\"gxnqfkdpqmxit1omayvvsy2d06kbpti26lxxemcukxrvzbpx.jpg.jpg?w=1140&amp;v=2\" \/><em>At The Big One, Parliament, London 22nd April 2023.<\/em><\/p><p>Last weekend I took to the streets to attend The Big One, a weekend initiated by Extinction Rebellion the protests, marches and events were designed to bring organisations together to challenge the climate crisis. It was a real joy to step into the world and meet a community of like-minded people that shared the same concerns for life on our planet. Before the event I wrote and illustrated <a target=\"_blank\" href=\"https:\/\/birdscanflystore.com\/howl-for-the-owl\/\" rel=\"noreferrer noopener\">Howl for the Owl <\/a>and became obsessed, for a few weeks I could think of nothing else. The aim was to encourage you, dear reader, to protest. This mission probably failed, though I wanted their to be a creative record of my wish that lived beyond The Big One.\u00a0<\/p><p><img src=\"https:\/\/images.teemill.com\/clzgghdcvbn3qwpdsmgyzkvlvluhfzvi9h4wfeikeleh8d68.jpg.jpg?w=1140&amp;v=2\" alt=\"clzgghdcvbn3qwpdsmgyzkvlvluhfzvi9h4wfeikeleh8d68.jpg.jpg?w=1140&amp;v=2\" \/><em>Marching with the <\/em><a target=\"_blank\" href=\"https:\/\/birdscanflystore.com\/howl-for-the-owl\/\" rel=\"noreferrer noopener\"><em><u>\u2018Parliament of Owls\u2019 <\/u><\/em><\/a><em>at The Big One, London 22nd April 2023.<\/em><\/p><p>The media largely failed in reporting the beauty of The Big One, though you can see some coverage on the Extinction Rebellion <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/channel\/UCYThdLKE6TDwBJh-qDC6ICA\" rel=\"noreferrer noopener\"><u>Youtube channel<\/u><\/a>. The more than 100,000 people that peacefully protested over the weekend were reduced to minor stories buried amongst the usual tittle-tattle. The media continues to portray Extinction Rebellion as slightly unhinged activists who just want to inconvenience the public. Interviews with XR founders are predictably patronising and condescending, discussions about their tactics dominate the conversation and result in a tit-for-tat \u2018debate\u2019 that dilutes the urgency of the message.<\/p><p>Since that weekend I\u2019ve been struck by the inertia of many of those I see on social media. Engagement with my own profile has dropped since I shared my presence at The Big One, followers have fled, some posts were even commented on by \u2018climate deniers\u2019. Admittedly Extinction Rebellion can be seen as problematic, in the past I too have questioned their tactics. Does direct action alienate the less radical among us, and does this question even matter in the face of obvious planet and bio-diversity destruction?\u00a0 Extinction Rebellion ended The Big One with a demand for action from the government, their demand predictably failed and so begins a slightly different <a target=\"_blank\" href=\"https:\/\/extinctionrebellion.uk\/the-big-one\/what-next\/\" rel=\"noreferrer noopener\"><u>strategy<\/u><\/a>, a focus on citizen assemblies, suggestions on how to protest in a variety of ways, from joining strikers on picket lines to inviting some civil disobedience. Is this the right approach? Do we need to find a better way to engage earthlings in challenging the climate crisis? <\/p><p><img src=\"https:\/\/images.teemill.com\/t5dexg7g5h2x110mj6nzwfgpr9ccokxbzak3y4dkr47c6uar.jpg.jpg?w=1140&amp;v=2\" alt=\"t5dexg7g5h2x110mj6nzwfgpr9ccokxbzak3y4dkr47c6uar.jpg.jpg?w=1140&amp;v=2\" \/><em>Planting pansies at the site of homophobia in Brussels: photo Wen Chi-su.<\/em><\/p><p>As an artist and \u2018accidental activist\u2019 I see the dilemma, my own work with <a target=\"_blank\" href=\"https:\/\/thepansyproject.com\/\" rel=\"noreferrer noopener\"><u>The Pansy Project<\/u><\/a> has enabled me to contribute to the conversation around homophobia and transphobia. The Pansy Project is a tiny illustration of the injustice of hate crime, as an artwork perhaps that\u2019s all it needs to be, nearly 20 years of this work has not changed anything, the fight goes on, LGBTQ+ rights are being eroded here and around the world, perhaps now more than ever.<\/p><p><img src=\"https:\/\/images.teemill.com\/umeihttdzm7fqtqh8pjrwuassom2n3puujtaasj3kqufxobm.webp.webp?w=1140&amp;v=2\" alt=\"umeihttdzm7fqtqh8pjrwuassom2n3puujtaasj3kqufxobm.webp.webp?w=1140&amp;v=2\" \/><em>For Stonewall. Christopher Street, New York, 2019.<\/em><\/p><p>Broader culture doesn\u2019t seem to be that interested in the issue of homophobia, injustice or climate change. The broadcast media minimises those outside the heteronormative constantly, three minute news segments attempt to explore complex issues through argument and confrontation, rarely allowing thoughtful contemplation. <\/p><p>Perhaps rolling news coverage is simply not built for this complexity, editorial decisions seem to be made to create \u2018click-bait\u2019, sound bites and viral clips that fan consternation and the vilification of those that have heartfelt concerns, an approach adopted for any issue that is outside the straight white male majority. Any unpicking of the system is reduced to being \u2018woke\u2019 - a term I have come to loathe, as it has become a verbal tool to shut down any complex conversation that challenges \u2018the system\u2019. There\u2019s recently been an interesting series on BBC Radio 4 exploring the history of the term, listen <a target=\"_blank\" href=\"https:\/\/www.bbc.co.uk\/sounds\/play\/m001jc1k\" rel=\"noreferrer noopener\"><u>here<\/u><\/a>.<\/p><p>What do I do now? As I reflect on the communal power of The Big One I look around at the world and nothing seems to have changed. Perhaps writing this and contributing to the conversation is enough? I\u2019m sure you too feel as impotent and overwhelmed as I do by the horrors of the crisis in nature. <\/p><p>Having wandered around the internet there are some useful things one can do, though much of it seems to be donating to this cause or that, no doubt this is helpful but individual support of the many organisations with their own very particular agenda potentially detracts from the fact that there is a collective concern that should be <strong>seen<\/strong> to be growing. Will Extinction Rebellion continue to engage new audiences or are we all overwhelmed by the vastness of the fight? Do we need a million people on the streets? Do we need charismatic and influential people similar to Maya Angelou to seduce the planet into action? <a target=\"_blank\" href=\"https:\/\/twitter.com\/GretaThunberg?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor\" rel=\"noreferrer noopener\"><u>Greta Thunberg <\/u><\/a>has gotten close though rolling news rolls on. Perhaps it is all our own responsibility to do our own little bit in whatever context we can, though significant change must come from our governments. <\/p><p>The canary is well and truly in the coal mine and surely we must listen to the signs. As ever, my research continues. <\/p><p><\/p><p><\/p>","urlTitle":"canary","url":"\/blog\/canary\/","editListUrl":"\/my-blogs","editUrl":"\/my-blogs\/edit\/canary\/","fullUrl":"https:\/\/birdscanflystore.com\/blog\/canary\/","featured":false,"published":true,"showOnSitemap":true,"hidden":false,"visibility":null,"createdAt":1682681380,"updatedAt":1682694050,"publishedAt":1682694050,"lastReadAt":null,"division":{"id":107566,"name":"Birds Can Fly"},"tags":[{"id":1112,"code":"the-pansy-project","name":"ThePansyProject","url":"\/blog\/tagged\/the-pansy-project\/"},{"id":1117,"code":"l-g-b-t-q","name":"LGBTQ","url":"\/blog\/tagged\/l-g-b-t-q\/"},{"id":1917,"code":"history","name":"History","url":"\/blog\/tagged\/history\/"}],"metaImage":{"original":"https:\/\/images.podos.io\/xvlj0vkirgcouleqpwctd7cwxmigitugijw6t97pquijzlzt.jpeg","thumbnail":"https:\/\/images.podos.io\/xvlj0vkirgcouleqpwctd7cwxmigitugijw6t97pquijzlzt.jpeg.jpg?w=1140&h=855","banner":"https:\/\/images.podos.io\/xvlj0vkirgcouleqpwctd7cwxmigitugijw6t97pquijzlzt.jpeg.jpg?w=1920&h=1440"},"metaTitle":"Canary in a Coal Mine","metaDescription":"Reflecting on a 'Canary in a Coal Mine', it's origin, meaning symbolism and history.","keyPhraseCampaignId":null,"series":[],"similarReads":[{"id":9889,"title":"LGBT History Month","url":"\/blog\/lgbt-history-month\/","urlTitle":"lgbt-history-month","division":107566,"description":"Paul Harfleet reflects on LGBT History Month 2021.","published":true,"metaImage":{"thumbnail":"https:\/\/images.podos.io\/ekp1npewm3bbdgz5vh688egmi8wa75ayhuzytu5v3mmwofwu.jpeg.jpg?w=1140&h=855","banner":"https:\/\/images.podos.io\/ekp1npewm3bbdgz5vh688egmi8wa75ayhuzytu5v3mmwofwu.jpeg.jpg?w=1920&h=1440"},"hidden":0},{"id":9902,"title":"Stories Behind the Designs","url":"\/blog\/the-story-of-birds-can-fly\/","urlTitle":"the-story-of-birds-can-fly","division":107566,"description":"The journey from drawing to garment.","published":true,"metaImage":{"thumbnail":"https:\/\/images.podos.io\/logdy9wz68ihyajfcrhjcrncc3nxc9tms1c6yx9jculeotz6.jpeg.jpg?w=1140&h=855","banner":"https:\/\/images.podos.io\/logdy9wz68ihyajfcrhjcrncc3nxc9tms1c6yx9jculeotz6.jpeg.jpg?w=1920&h=1440"},"hidden":0},{"id":10431,"title":"Birds Can Fly: Hearing from the Winners","url":"\/blog\/reflecting-on-the-birds-can-fly-competition\/","urlTitle":"reflecting-on-the-birds-can-fly-competition","division":107566,"description":"Hearing from the winners of my Second Birds Can Fly Competition and reflecting on the impact of this new body of work.","published":true,"metaImage":{"thumbnail":"https:\/\/images.podos.io\/4ssny9ukfh73kvpgeqxj8aclazu3iziv69lte62andyxlhqx.jpeg.jpg?w=1140&h=855","banner":"https:\/\/images.podos.io\/4ssny9ukfh73kvpgeqxj8aclazu3iziv69lte62andyxlhqx.jpeg.jpg?w=1920&h=1440"},"hidden":0}],"labels":[]}