{"id":54386,"title":"The Liver Birds","description":"A love letter to Liverpool and their most famous birds.","content":"<p><img src=\"https:\/\/images.podos.io\/tlxaa3zgneumnylpjoifvgspbomqirwfpunw42u8tkhcvpyi.jpeg.jpeg?w=1140&amp;v=2\" alt=\"xnn0rnfrvkduldu6lqnoqpx6na23wkh2soscpqpry2b1fwo8.jpg.jpg?w=1140&amp;v=2\" \/>The following is an excerpt from an essay I\u2019ve written, reflecting on my journey with <a target=\"_blank\" href=\"https:\/\/www.remembernature.art\/\" rel=\"noreferrer noopener\"><u>Remember Nature,<\/u><\/a> you can read the whole thing in my beautiful PDF, download it <a target=\"_blank\" href=\"https:\/\/thepansyproject.com\/wp-content\/uploads\/2026\/01\/remember-nature-visual-essay-13.1.26.pdf\" rel=\"noreferrer noopener\"><u>here.<\/u><\/a><\/p><p style=\"text-align:center;\"><strong><em>FYI: it\u2019s easier to read the PDF on a computer or iPad rather than a phone.<\/em><\/strong><\/p><p>From my earliest meetings to discuss my contribution to Remember Nature, it was clear that <a target=\"_blank\" href=\"https:\/\/thepansyproject.com\" rel=\"noreferrer noopener\"><u>The Pansy Project<\/u><\/a> would be the primary focus. However, given the title of the curatorial framework and my more recent work with birds, it felt necessary to find a way to bring this relatively new methodology into the conversation. I was only half-joking when in those first meetings I suggested that I might \u2018do\u2019 a cormorant. I wasn\u2019t entirely sure whether I was remembering correctly that Liverpool\u2019s mythical Liver Birds were modelled on cormorants, though the images included here reveal that I was at least partly right.<\/p><p><img src=\"https:\/\/images.podos.io\/0is1ta2mzjgplfcrub5p88csv5hlnn4e03neqqryblsukupu.png.png?w=1140&amp;v=2\" alt=\"0is1ta2mzjgplfcrub5p88csv5hlnn4e03neqqryblsukupu.png.png?w=1140&amp;v=2\" \/>The Liver Bird belongs to Liverpool\u2019s modern folklore rather than its ancient past. Writing in 1774, Liverpool\u2019s first historian William Enfield described the Liver Bird as existing only in \u201cfabulous tradition,\u201d comparing it to mythical creatures such as the phoenix or griffin.\u00a0<\/p><p>This was reinforced in 1911, when the Royal Liver Friendly Society crowned its waterfront building with two large sculptural birds. These figures, which resemble no real species, helped fix the idea of the Liver Bird as a fantastical creature in the popular imagination.<\/p><p>Earlier evidence tells a more ambiguous story. A bird appears on Liverpool\u2019s earliest surviving corporate seal, dated 1352, (below) with later impressions from the fifteenth century. The bird itself is indistinct, suggesting its maker was neither an artist or knowledgeable about birds.\u00a0<\/p><p><img src=\"https:\/\/images.podos.io\/fw4tnmr9yvc0rzif9lzlicmprny9bbm6syals34cfawubnkt.png.png?w=1140&amp;v=2\" alt=\"fw4tnmr9yvc0rzif9lzlicmprny9bbm6syals34cfawubnkt.png.png?w=1140&amp;v=2\" \/>Scholars turned to the medieval seal\u2019s symbols and lettering for clues about the original bird. Evidence suggests the bird was intended to be an eagle; the symbol of St John, patron saint of King John, who granted Liverpool its first charter in 1207. The presence of accompanying symbols such as a star and crescent, and a sprig of broom (a badge of the Plantagenet dynasty), further ties the seal to King John\u2019s authority and era.<\/p><p>Over time, the original eagle-like bird became gradually reinterpreted, and by 1611 civic records describe a bird resembling a cormorant, a species common in the Mersey estuary.\u00a0In 1797 the College of Arms formally granted Liverpool its coat of arms, depicting a cormorant holding a sprig of seaweed called laver, and from that point the cormorant became the official Liver Bird.\u00a0<\/p><p><img src=\"https:\/\/images.podos.io\/jfvjzbwydhxidv9zrr4tbut0hqhmi7cvrfvkg8rff6ripwdx.jpeg.jpeg?w=1140&amp;v=2\" alt=\"jfvjzbwydhxidv9zrr4tbut0hqhmi7cvrfvkg8rff6ripwdx.jpeg.jpeg?w=1140&amp;v=2\" \/>The most famous Liver Birds, known as Bertie and Bella, sit atop the Royal Liver Building. Made from hammered copper plates fixed on internal steel armatures, they stand about 18 feet (5.5 metres) tall with wingspans of around 24 feet (7.3 metres) each. The Liver Birds do not only crown the Royal Liver Building; they appear throughout the city in architectural details and civic imagery. The Liver Bird is also the emblem of the Liverpool Echo and of Liverpool Football Club, as sentinels they are woven into the fabric of the city and its lore.\u00a0One bird is said to look out to sea, guarding sailors, while the other watches over the city and its people. In a local echo of the ravens at the Tower of London, legend has it that if the Liver Birds were to ever fly away, the city will fall.<\/p><p><img src=\"https:\/\/images.podos.io\/lh7d5djnxvjbbaqrnzfom6i6juy1mvpkct5tr9pf5dkkhbwb.jpeg.jpeg?w=1140&amp;v=2\" alt=\"lh7d5djnxvjbbaqrnzfom6i6juy1mvpkct5tr9pf5dkkhbwb.jpeg.jpeg?w=1140&amp;v=2\" \/>The making of the Liver Birds have an interesting history too. In the lead up to 1911, The Liver Birds were designed and sculpted by Carl Bernard Bartels, a German born artist who had won an international competition for the commission.\u00a0He had become a naturalised Briton, after falling in love with the country on his honeymoon in 1887 and moved to London in his early twenties. Despite the civic honour bestowed upon Carl Bernard Bartels he was arrested in 1915 at the height of anti-German feeling during the first world war, he was imprisoned in an internment camp on the Isle of Man.\u00a0<\/p><p>At the end of the war, he was forcibly repatriated to Germany, separated from his wife and children. Eventually Bartels managed to return to the UK and continued to work as a sculptor. During the second world war he even helped create artificial limbs for servicemen.\u00a0<\/p><p>With post war xenophobia still rife, The city began to credit the foundry or sometimes the architect of the Liver building; Walter Aubrey Thomas as the makers of the Liver Birds and chose to ignore the originator of the design. Sources vary on what happened to the original drawings and blueprints for the sculptures, they were either lost or destroyed. And so it seemed his association with what became the iconic symbols of Liverpool would be lost forever, until a campaign began in 2007 to credit the sculptor appropriately.\u00a0<\/p><p>In the lead up to the centenary celebrations of the Liver building the city of Liverpool acknowledged the injustice and welcomed Carl Bernard Bartels descendants back to the city. So over fifty years after his death in 1955, Tim Olden, the great grandson of Bartels received the Citizen of Honour Award on behalf of Carl Bernard Bartels at a ceremony in Liverpool Town Hall in 2011.<img src=\"https:\/\/images.podos.io\/9fiu2sapakpmegzgbecuup7efqcyrkoheavcnc1smgmssswg.png.png?w=1140&amp;v=2\" alt=\"9fiu2sapakpmegzgbecuup7efqcyrkoheavcnc1smgmssswg.png.png?w=1140&amp;v=2\" \/>My initial assumption that the Liver Bird was based on a cormorant was almost correct. The original bird may have been an eagle, or perhaps a hybrid of eagle and cormorant, though it now feels fair to say that the Liver Bird has settled into its cormorant identity. The posture of the birds atop the Royal Liver Building appears to confirm this reading.<\/p><p>Cormorants are unusual birds. Despite spending much of their time diving for fish, their feathers are not fully waterproof. After diving, they must outstretch their wings to dry, a familiar sight along rivers and estuaries. I went to study cormorants in person at Victoria Park, which has a healthy population, and was pleased to see them drying beside the pond, even in the winter sun.<\/p><div data-youtube-video=\"\"><iframe class=\"youtube\" width=\"640\" height=\"480\" allowfullscreen=\"\" src=\"https:\/\/www.youtube.com\/embed\/tZCnCw6c08c\"><\/iframe><\/div><p>For my gentle reference, I echoed the bird\u2019s plumage by embroidering wool onto a waterproof jacket, subtly rendering it impractical for rain \u2014 a small nod to the cormorant\u2019s lack of waterproofing. I made a fascinator-like headpiece from card, covering it with fabric and a veil fashioned from a found piece of packaging. This recalled both the cormorant\u2019s plumage and the suggestion of fishing nets, a nudge to the bird as a hunter of fish. These elements were brought together in a short film, <a target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=tZCnCw6c08c\" rel=\"noreferrer noopener\"><em>Making of the Cormorant<\/em><\/a>, which documents the process from drawing to costume, styling to photo-shoot, edited with the sound of the cormorant\u2019s call and gently crashing waves. The short film (above) has become integral to this work, inviting the viewer to glimpse behind the curtain of production. Above are stills from the film, and below the final image brings this gentle reference to a close.<\/p><p><img src=\"https:\/\/images.podos.io\/mbimnejzpuo3jbj1znpkxntl9uxu0jxhhqqmdz0gfm9zzgn6.jpeg.jpeg?w=1140&amp;v=2\" alt=\"mbimnejzpuo3jbj1znpkxntl9uxu0jxhhqqmdz0gfm9zzgn6.jpeg.jpeg?w=1140&amp;v=2\" \/>At its simplest, Birds Can Fly begins with drawing a bird and ends with dressing as it. I describe this process as \u2018gently referencing\u2019. From the outset, I was not interested in mimicry, but in echoing selected elements of a bird\u2019s plumage or form in order to explore its cultural history, symbolism, and associations. This work leans into my queerness and my history with drag. I construct props, alter clothing, wear make-up, and document myself, using self-portraiture as a way to draw the viewer in.<\/p><p><img src=\"https:\/\/images.podos.io\/0pujezc1fisxhhjflinbihi0ui45oilcns7g9txpljfwdnjb.jpg.jpg?w=1140&amp;v=2\" alt=\"0pujezc1fisxhhjflinbihi0ui45oilcns7g9txpljfwdnjb.jpg.jpg?w=1140&amp;v=2\" \/><\/p><p>The intention is to draw the audience into the research that accompanies each bird, which lives on my blog, and to encourage a different way of thinking about the birds that exist alongside us. What began during the pandemic as a way to share drawings has gradually evolved into a research-led practice. Through this process, I have become increasingly interested in the cultural histories of birds, and in the ways ornithology, folklore, and national identity intersect \u2014 as this gentle reference to the cormorant seeks to document. <strong>Scan the QR Code below to read the entire essay or by clicking <\/strong><a target=\"_blank\" href=\"https:\/\/thepansyproject.com\/wp-content\/uploads\/2026\/01\/remember-nature-visual-essay-13.1.26.pdf\" rel=\"noreferrer noopener\"><strong><u>here.<\/u><\/strong><\/a><\/p><p style=\"text-align:center;\"><img src=\"https:\/\/images.podos.io\/w5srvqs6rspyygzzp8wtrauw33awwoyd7klmz9titassz1ko.png.png?w=1140&amp;v=2\" alt=\"qgqls0rjbzjm4iudhog7uh4sxr2jz8unecvg182jvytq5uc8.png.png?w=1140&amp;v=2\" \/><img src=\"https:\/\/images.podos.io\/jqbsuky5a2guk0kybojkcunoubjagpqvavnqqq4y9ck5ts0l.jpeg.jpeg?w=1140&amp;project=birds-can-fly-107914&amp;v=2\" alt=\"jqbsuky5a2guk0kybojkcunoubjagpqvavnqqq4y9ck5ts0l.jpeg.jpeg?w=1140&amp;project=birds-can-fly-107914&amp;v=2\" \/><a target=\"_blank\" href=\"https:\/\/birdscanflystore.com\/product\/cormorant-art-print\/\" rel=\"noreferrer noopener\"><strong><em><u>Cormorant Art Print<\/u><\/em><\/strong><\/a><\/p>","urlTitle":"the-liver-birds","url":"\/blog\/the-liver-birds\/","editListUrl":"\/my-blogs","editUrl":"\/my-blogs\/edit\/the-liver-birds\/","fullUrl":"https:\/\/birdscanflystore.com\/blog\/the-liver-birds\/","featured":false,"published":true,"showOnSitemap":true,"hidden":false,"visibility":null,"createdAt":1768324653,"updatedAt":1768342502,"publishedAt":1768342501,"lastReadAt":null,"division":{"id":107566,"name":"Birds Can Fly"},"tags":[],"metaImage":{"original":"https:\/\/images.podos.io\/babxywxy737afuym7ut1tnlb45ybxa07pvpihiifdihr6mww.png","thumbnail":"https:\/\/images.podos.io\/babxywxy737afuym7ut1tnlb45ybxa07pvpihiifdihr6mww.png.jpg?w=1140&h=855","banner":"https:\/\/images.podos.io\/babxywxy737afuym7ut1tnlb45ybxa07pvpihiifdihr6mww.png.jpg?w=1920&h=1440"},"metaTitle":"","metaDescription":"","keyPhraseCampaignId":null,"series":[],"similarReads":[{"id":51347,"title":"The Power of The Pansy","url":"\/blog\/the-power-of-the-pansy\/","urlTitle":"the-power-of-the-pansy","division":107566,"description":"The story of how a T-shirt commemorating The Pansy Project managed to get into the Manchester Art Gallery.","published":true,"metaImage":{"thumbnail":"https:\/\/images.podos.io\/rckg3zaqnyxlaf8nmccoc3pxkwqfqbwdb2w7c5rdfklu3krt.jpeg.jpg?w=1140&h=855","banner":"https:\/\/images.podos.io\/rckg3zaqnyxlaf8nmccoc3pxkwqfqbwdb2w7c5rdfklu3krt.jpeg.jpg?w=1920&h=1440"},"hidden":0},{"id":14158,"title":"The Perils of Black Friday","url":"\/blog\/the-perils-of-black-friday\/","urlTitle":"the-perils-of-black-friday","division":107566,"description":"Giant corporate machines are rubbing their sausage fingers together, gurning with glee, as you obediently follow their instruction to buy, buy, buy.","published":true,"metaImage":{"thumbnail":"https:\/\/images.podos.io\/nx9wjrh9mdayo8qzpdznzhm7hmtu0xc4x1zom3k9wled3wso.jpeg.jpg?w=1140&h=855","banner":"https:\/\/images.podos.io\/nx9wjrh9mdayo8qzpdznzhm7hmtu0xc4x1zom3k9wled3wso.jpeg.jpg?w=1920&h=1440"},"hidden":0},{"id":31278,"title":"The Birds of Macbeth","url":"\/blog\/the-birds-of-macbeth\/","urlTitle":"the-birds-of-macbeth","division":107566,"description":"The Golden Eagle. My most recent drawing and gentle reference has been made in association with Heart of Glass and Shakespeare North Playhouse.","published":true,"metaImage":{"thumbnail":"https:\/\/images.podos.io\/v7zjxopovzt1pgd8ksrcqx9bmppcgtlf19z3tvtweeiloity.jpeg.jpg?w=1140&h=855&z=1.1&fx=0.49838044892471&fy=0.53520184420328","banner":"https:\/\/images.podos.io\/v7zjxopovzt1pgd8ksrcqx9bmppcgtlf19z3tvtweeiloity.jpeg.jpg?w=1920&h=1440&z=1.1&fx=0.49838044892471&fy=0.53520184420328"},"hidden":0}],"labels":[]}